La Fanciulla del West



(The girl of the golden west) by Giacomo Puccini, premiered at the Metropolitan Opera in 1910; the time frame is the gold mining era in California.  It’s a kick to consider something close to home “exotic,” but the rootin, tootin Wild West was intriguing to more sedate Western Europe. 

I attended a performance at the Hult Center in Eugene over the weekend, where the cast in full-costume mingled with the audience in the lobby before the show, (definitely at odds with the notion of opera being stuffy.  Oh, and they performed at intermission at the Emerald City Roller Girls on Saturday.)  Some members of the audience wore period costumes which added to the fun of people-watching. 

I’m always intrigued with set design at the theater and these sets were minimalistic, partly because there’s a large cast, and partly not to distract from the opera.  That’s conjecture on my part but it sounds logical.  The lighting seemed somewhat flattened, 2-dimensional, and coolly surreal.  The last scene reminded me of a bas relief.  It was wonderful.

The storyline is a classic western tale of good-hearted tavern-keeper, innocent just like Miss Kitty in “Gunsmoke’, a similarity I relate to my partner, who immediately denies ever seeing that show.  What?  I’ll explain in case I’m the only one who did watch; Miss Kitty and Minnie, our opera heroine, are pure in sexual terms.  They go as far as a kiss, and that was pretty racy. 

Oh yes, the music.  The cast included Emily Pulley, Raul Melo, and Aaron St. Clare Nicholson, from the Met. The acoustics are so good at the Hult; there was one poker playing scene where I could hear the actual cards being shuffled, so imagine how marvelous those powerful voices sound.  A love song during the third act brought tears to the eyes.  Wonderful.

After, we had a fine meal at Ambrosia, I'll spare you the menu. 

All in all, it was such a delightful day that I was saddened to see it end.     

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