La Fanciulla del West
(The girl of the golden west) by Giacomo Puccini, premiered
at the Metropolitan Opera in 1910; the time frame is the gold mining era in California. It’s a kick to consider something close to
home “exotic,” but the rootin, tootin Wild West was intriguing to more sedate Western Europe.
I attended a performance at the Hult
Center in Eugene over the weekend, where the cast in
full-costume mingled with the audience in the lobby before the show,
(definitely at odds with the notion of opera being stuffy. Oh, and they performed at intermission at the
Emerald City Roller Girls on Saturday.)
Some members of the audience wore period costumes which added to the fun
of people-watching.
I’m always intrigued with set design at the theater and
these sets were minimalistic, partly because there’s a large cast, and partly
not to distract from the opera. That’s
conjecture on my part but it sounds logical.
The lighting seemed somewhat flattened, 2-dimensional, and coolly
surreal. The last scene reminded me of a
bas relief. It was wonderful.
The storyline is a classic western tale of good-hearted tavern-keeper,
innocent just like Miss Kitty in “Gunsmoke’, a similarity I relate to my
partner, who immediately denies ever seeing that show. What?
I’ll explain in case I’m the only one who did watch; Miss Kitty and
Minnie, our opera heroine, are pure in sexual terms. They go as far as a kiss, and that was pretty
racy.
Oh yes, the music.
The cast included Emily Pulley, Raul Melo, and Aaron St. Clare
Nicholson, from the Met. The acoustics are so good at the Hult; there was one
poker playing scene where I could hear the actual cards being shuffled, so
imagine how marvelous those powerful voices sound. A love song during the third act brought
tears to the eyes. Wonderful.
After, we had a fine meal at Ambrosia, I'll spare you the menu.
All in all, it was such a delightful day that I was saddened
to see it end.

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